金边邮报的记者狄桑巴（Thet Sambath），长期在工作之余，坚持不懈调查波尔布特政权时代发生的大屠杀的真相。桑巴的父亲，在参与红色高棉运动中，仅因稍表示不满而惨遭杀害。随后他母亲又被迫与红色高棉士兵结婚，在失意中死去。 　　桑巴的业余时间，几乎全花在采访工作上，从动手屠杀的士兵、下达杀人命令的上级，直到位居政府核心的政要，特别是他与波尔布特政权第二号人物农谢的会面，持续了近十年之久。 　　桑巴的妻子，对于丈夫牺牲与家人一起的时间，坚持采访感到很不安，但也尽力予以理解。 　　对桑巴来说，向人民公敌-当年的刽子手们做当面追究，揭露事实真相，不光是为了自己的父母，也是为了所有的柬埔寨人。 　　这是一位柬埔寨新闻工作者呕心沥血的力作。

The Khmer Rouge slaughtered nearly two million people in the late 1970s. Yet the Killing Fields of Cambodia remain unexplained. Until now. Enter Thet Sambath, an unassuming, yet cunning, investigative journalist who spends a decade of his life gaining the trust of the men and women who perpetrated the massacres. From the foot soldiers who slit throats to Pol Pot's right-hand man, the notorious Brother Number Two, Sambath records shocking testimony never before seen or heard. Having neglected his own family for years, Sambath's work comes at a price. But his is a personal mission. He lost his parents and his siblings in the Killing Fields. Amidst his journey to discover why his family died, we come to understand for the first time the real story of Cambodia's tragedy. 　　Written by Sundance Film Festival

The film is an adaptation of a play by Henrik Ibsen: An Enemy of the People.It is set in a small town in Bengal. Dr. Ashoke Gupta (Soumitra Chatterjee) is the head of a town hospital. Gupta's younger brother, Nisith (Dhritiman Chatterjee), is the head of the committees running the hospital and a temple. Both were built by a local Industrialist. The temple is also a big tourist attraction. 　　Dr. Gupta is convinced that the holy water of the temple is contaminated due to faulty pipe-laying. It is causing an epidemic in the town. He warns his brother Nisith. 　　Nisith, the Industrialist and other town officials reject the idea that holy water might be the cause of the epidemic. They refuse to close the temple to carry out the repairs. 　　Dr. Gupta wants to write an article in the newspaper to warn people, but giving-in to the pressure from the powerful people, the editor refuses to publish it. 　　Left with no alternative, Dr. Gupta organises a public meeting that is also sabotaged. And Dr. Gupta is proclaimed an enemy of the people.

为了庆祝中柬建交六十周年，央视纪录频道计划推出四集纪录片《魅力柬埔寨》，每集25分钟。该片将讲述当代柬埔寨的历史和地理，当代柬埔寨人的生活以及他们与中国人千丝万缕的联系。

"A Cambodian Spring" is an intimate and unique portrait of three people caught up in the chaotic and often violent development that is shaping modern-day Cambodia. Shot over six years, the film charts the growing wave of land-rights protests that led to the 'Cambodian spring' and the tragic events that followed. This film is about the complexities - both political and personal, of fighting for what you believe in.

柬埔寨首都金边有一处开发区名为钻石岛，这边购物中心、酒店、高级住宅林立，似乎象征着柬埔寨的美好未来。空地上，两个少年交换着前晚的梦。一人梦想穿越时空前往 2099 年，一人刚拿到美国签证，准备告别女友，走向未知。这是《迷梦钻石岛》导演周戴维首部在柬埔寨拍摄的作品。

柬埔寨首都金边有一处开发区名为钻石岛，这边购物中心、酒店、高级住宅林立，似乎象征着柬埔寨的美好未来。空地上，两个少年交换着前晚的梦。一人梦想穿越时空前往 2099 年，一人刚拿到美国签证，准备告别女友，走向未知。这是《迷梦钻石岛》导演周戴维首部在柬埔寨拍摄的作品。

《睦邻·柬埔寨》由云南广播电视台与柬埔寨国家电视台联合出品，全片共4集，分为《丝路明珠》《生命家园》《生息之地》《一起成长》四个篇章，每集30分钟，分别呈现了柬埔寨的人文风光、生物多样性、传统生活以及现代发展历程。

Back in Cambodia after 7 years, she is still holding a camera. Following the gap between what she experienced this time, she was dragged into somewhat reality, sensed a definite attitude of words and images, the undoing and limitation of the medium, and how she and her memories were shaped since don‘t know timelessly when. Meanwhile, new experiences that happened during the process of rebuilding keep going. What truth can be kept by a camera? A person connects to the other one making the memory alive. 　　Flash, Track is the second film of her three “regional photo” series practices. In a limited time, bringing a camera into a place, every experience and encounter contemplates and reflects her heart and image essence, while what was been recorded stands its own life, and all of these become something to keep for herself, the people, and the place.

Back in Cambodia after 7 years, she is still holding a camera. Following the gap between what she experienced this time, she was dragged into somewhat reality, sensed a definite attitude of words and images, the undoing and limitation of the medium, and how she and her memories were shaped since don‘t know timelessly when. Meanwhile, new experiences that happened during the process of rebuilding keep going. What truth can be kept by a camera? A person connects to the other one making the memory alive. 　　Flash, Track is the second film of her three “regional photo” series practices. In a limited time, bringing a camera into a place, every experience and encounter contemplates and reflects her heart and image essence, while what was been recorded stands its own life, and all of these become something to keep for herself, the people, and the place.